Bracha Lichtenberg Ettinger
A bibliography of secondary texts
2007; 2006; 2005; 2004; 2003; 2002; 2001; 2000; 1999; 1998; 1997; 1996; 1995; 1994; 1993; 1992; 1991; 1990; 1989; 1988; 1987; 1986; 1985; 1984; 1983; Unpublished Conference Papers
Forthcoming
Griselda Pollock, 'Dying, Seeing, Feeling: Transforming the Ethical Space of Feminist.' In: Diarmuid Costello and Dominic Willsdon (eds), The Life and Death of Images: Ethics and Aesthetics. London: Tate Publishing and Cornell University Press, forthcoming 2008.
——— 'The Graces of catastrophe'. In: Encounters in the Virrtual Feminist Museum: Time, Space and the Archive. London: Routledge, forthcoming November 2007.
2007
Dorota Glowacka, 'Lyotard and Eurydice: The Anamnesis of the Feminine.' In: Margaret Grebowicz (ed.), Gender After Lyotard. New York: SUNY Press, pp. 219-41.
Griselda Pollock, 'Sacred Cows.' In Griselda Pollock and Victoria Turvey Sauron (eds), The Sacred and the Feminine: Imagination and Sexual Difference. London: I.B.Tauris, pp. 9-48.
Sofie Van Loo, 'Trans-scapes of Langs-Schappen.' ThRu2 (Exhibition catalogue). Antwerp: Lokaal 01. At: www.lokaal01.be/actueel/pdf/thrunr2jr5.pdf [PDF]
——— 'Eros and Erotiek.' ThRu1 (Exhibition catalogue). Antwerp: Lokaal 01. At: www.lokaal01.nl/actueel/pdf/ [PDF]
2006
Judith Butler, 'Preface. Bracha's Eurydice.' In: The Matrixial Borderspace. Minneapolis: University of Minnesota Press.
Previously published in: Theory, Culture & Society (TCS), Vol. 21, 2004, pp. 95-100.
Bracha Lichtenberg Ettinger: The Eurydice Series. Drawing Papers, no. 24. New York: The Drawing Center, 2001.
Bridgid Doherty, 'Responding: Dwelling on Spaces.' In: Carol Armstrong and Catherine de Zegher (eds), Women Artists at the Millenium. Cambridge, MA: MIT Press, pp. 219-41.
Anna Louise Johnson, Bracha Ettinger's Theory of the Matrix: Contexts and Commentary. PhD Thesis, University of Leeds.
Brian Massumi, 'Afterword. Painting: The Voice of the Grain.' In: The Matrixial Borderspace, op.cit.
Also in: Bracha Lichtenberg Ettinger: Artworking 1985-1999, Ghent-Amsterdam: Ludion & Brussels: Palais des Beaux-Arts, 2000.
In French as 'Peinture: La voix du grain.' In: Danielle Cohen-Levinas (ed.), Récit et représentation musicale. Paris: L'Itinéraire/L'Harmattan, 2002.
Griselda Pollock, 'Beyond Oedipus: Feminist Thought, Psychoanalysis, and Mythical Figurations of the Feminine.' In: V. Zajko & M. Leonard (eds.), Laughing with Medusa: Classical Myth and Feminist Thought. Oxford: OUP, pp. 67-117.
——— 'Introduction. Femininity: Aporia or Sexual Difference?' In: The Matrixial Borderspace, op. cit.
——— 'Rethinking the Artist in the Woman, The Woman in the Artist, and that Old Chestnut, the Gaze.' In: Women Artists at the Millenium, op. cit., pp. 35-83.
2005
Carolyne Shread, A Theory of Matrixial Reading. PhD Dissertation, University of Massachusetts.
2004
NB For full details of all the articles published in the Special Section of TCS (Vol. 21, 2004), please see: tcs.sagepub.com/content/vol21/issue1/
Brigitte Anor, 'The Image-Bearers: The Photographic Imprint of the Hellish Past of others.' In: Poiesis. Vol. 6, pp. 53-61.
Michael Bernard-Donals, 'Forgetful memory and Images of the Holocaust.' In: College English. Vol. 66, no.4, March 2004, pp. 380-402.
Lone Bertelsen, 'Matrixial Refrains.' In: Theory, Culture & Society (TCS), Vol. 21, pp. 121-148.
Roy Boyne, 'Uterine Self-Undesrstanding and the Indispensible Other: Editorial reflections on the Work of Bracha Lichtenberg Ettinger.' In: TCS, op. cit., pp. 1-3.
Kyoko Gardiner, 'Towards emergency of wo-man: some examples in postcolonial and postfeminist visual art practices (Wo-man no shutsugen ni mukete: posutocoronialbijutsu no gemba kara)', in Mamoru Ito (ed.), Multiplying Cultural Studies: cultural practices, cultural researches (Zoushoku suru karuchuraru sutadiizu: bunka no jissen, bunka no kenkyu). Tokyo: Serica Shobo, 2004.
Griselda Pollock, 'Thinking the Feminine: Aesthetic Practice as Introduction to Bracha Ettinger and the Concepts of Matrix and Metramorphosis.' In: TCS, op. cit., pp. 5-64.
Jean-Francois Lyotard, 'Scriptures: Diffracted Traces.' In: TCS, op. cit., pp. 101-106.
Also as: 'Des traces diffractées'/'Diffracted Traces.' In: Bracha Lichtenberg Ettinger: Halala - Autistwork. The Israel Museum, Jerusalem, Cité du Livre, Aix en Provence & Arfiac (English/français/Hebrew).
Special version of 'Anima Minima' presented at Psychanalyse - Art - Philosophie (P-A-P), conference on the occasion of solo exhibition: Matrix. The Russian Museum of Ethnographie, St. Petersburg, 3-5/6/93 .
Also in: Kabinet, Supplement no. 4, 1994.
Jean-Francois Lyotard, 'Anamnesis: Of the Visible,' trans. C. Venn and R. Boyne. In: TCS, op. cit., pp. 107-120.
In French as 'L'anamnèse.' In: Doctor and Patient, Pori Art Museum Publication, 1997.
Special version presented at the conference, Événement - Traces - Peinture, Van Leer Institute, 25/5/1995, Jerusalem, on the occasion of the opening of the exhibition : Bracha Lichtenberg Ettinger: Halala - Autistwork, Israel Museum.
Couze Venn, 'Post-Lacanian Affective Economy, Being-in-the-word, and the Critique of the present: Lessons from Bracha Lichtenberg Ettinger.' In: TCS, op. cit., pp. 149-158.
2003
Griselda Pollock, 'Does Art Think?' in: Dana Arnold and Margaret Iverson (eds.) Art and Thought, Oxford: Blackwell, 2003.
Heinz Peter Schwerfel, Kino und Kunst, Koln: Dumont, 2003, pp. 143-149.
2002
Danielle Knafo, 'Revisiting Ernst Kris's Concept of Regression in the Service of the Ego in Art.' in: Psychoanalytic Psychology, vol.19, no.1, pp. 24-49.
Diana Tietjens Meyers, Gender in the Mirror. Oxford: Oxford University Press, pp. 71-74, 189.
Griselda Pollock, "The Aesthetics of Difference". in: Michael Ann Holly & Keith P. F. Moxey (eds.) Art History, Aesthetics, Visual Studies, The Francine and Sterling Clark Institute, 2002.
Catherine de Zegher, 'The Inside is the Outside: the Relational as the (Feminine) Space of the Radical.' in: invisible culture, no. 4, 2002: www.rochester.edu/in_visible_culture/Issue4-IVC/de_Zegher.html
Given as a lecture at: Women Artists at the Millennium. Princeton University, November, 2001.
2001
Daniele Cohen-Levinas, Interview. In: Oeuvres Croisees, France Culture, 10/2/01
Craigie Horsfield in conversation with BLE, 'Working-Through.' In: Bracha Lichtenberg Ettinger: The Eurydice Series. Drawing Papers, no. 24. New York: The Drawing Center.
Griselda Pollock, 'Abandoned at the Mouth of Hell or A Second Look that Does Not Kill: The Uncanny Coming to Matrixial Memory.' In: G. Pollock, Looking Back to the Future: Essays on Art, Life and Death. Newark, NJ: B&G Press.
Adrian Rifkin, '...respicit Orpheus.' In: Bracha Lichtenberg Ettinger: The Eurydice Series. op. cit.
Catherine de Zegher, 'Introduction.' In: Bracha Lichtenberg Ettinger: The Eurydice Series. op. cit.
2000
Christine Buci-Glucksmann, 'Eurydice and her doubles. Painting after Auschwitz.' In: Bracha Lichtenberg Ettinger: Bracha Lichtenberg Ettinger: Artworking 1985-1999, Ghent-Amsterdam: Ludion & Brussels: Palais des Beaux-Arts.
Katherine, Dodds. 'Virtual Psychoanalysis.' At: www.hellocoolworld.com/theory/essay.html
Rosi Huhn, 'Recyclage and Metramorphosis. Borderline case and deviance.' In: Bracha Lichtenberg Ettinger: Artworking 1985-1999, op. cit.
Griselda Pollock, 'Nichsapha: Yearning/Languishing. The immaterial tuché of colour in painting after painting after history.' In: Bracha Lichtenberg Ettinger: Artworking 1985-1999, op. cit.
———'Painting as a Backward Glance that does not Kill: Eurydice (1992-99) by Bracha Lichtenberg Ettinger.' Renaissance Studies, 46, University of Nottingham.
Stella Sandford, The Metaphysics of Love: Gender and Transcendence in Levinas, London: Continuum.
Review by Susanne Hennecke, at www.arsdisputandi.org/publish/articles/000105/index.html
1999
Christine Buci-Glucksmann, 'The Eurydices.' In: Practices of Procrastination. Parallax no. 10, New York : Taylor and Francis.
Nina Cornyetz, 'Matrix and Metramorphosis,' in Dangerous Women, Deadly Words: Phallic Fantasy and Modernity in Three Japanese Writers. Stanford: Stanford University.
Alison Rowley, 'An Introduction to Bracha Lichtenberg Ettinger's "Traumatic Wit(h)ness-Thing and Matrixial Co/in-habituating".' In: Parallax no. 10.
1998
Robert Adamson, 'Euridice Movement 3.' In: Boxkite no.2, Australia (+ works from the Eurydice series by BLE).
Tony Bond, 'Bracha Lichtenberg-Ettinger's Eurydice Series.' In: Boxkite no.2, Australia.
Jean-François Lyotard, 'Anamnesis of the Visible.' Studio no. 99, Tel Aviv (Trans. into Hebrew: G. Ache).
Mignon Nixon, 'After Image.' In: October no. 83.
Griselda Pollock, 'To Inscribe in the Feminine: A Kristevan Impossibility? or Femininity, Melancholy and Sublimation.' Parallax, no. 8.
1997
Tony Bond, in 'Embodying the Real.' In the catalogue: Body. The Art Gallery of New South Wales.
Christine Buci-Glucksmann, 'Eurydice et les scènes de la peinture.' Verso no. 8, Paris.
Jean-Luc Chalumeau, 'Éditorial/Où est la peinture de l'Histoire du XXe siècle?' Verso no.5, 1/97, pp. 2-3.
Dana M. Cibulski, 'Bracha Lichtenberg-Ettinger.' Art Papers (USA) Oct., Vol. 21, no. 5, p. 76.
Anne Dagbert, 'On Bracha Lichtenberg-Ettinger.' Artforum, Sept.,97, p.134.
Henri-François Debailleux, 'Galerie/Bracha Lichtenberg-Ettinger.' Libération, 6.V. p.34 (+ Willem, p.36)
Adrien Harris, 'Beyond/Outside Gender Dichotomies: New Forms of Constituting Subjectivity and Difference.' Psychoanalytic Dialogues, 7:3, The Analytic Press, New York.
Nathalie Kahloun, 'Pour l'amour d'Eurydice.' Actualité Juif, 15/5, p. 30.
Ingunn Knudsen & Anne Beate Maurseth, 'Kunst etter Auschwitz.' Morgenbladet - Kulturavisen 178/23, Norway, 13/7, pp. 16-17.
Jean-François Lyotard, 'The Memory of the Holocauste as Anamnesis.' In: Masuah no. 25, April, pp. 74-77.
Kareen R. Malone, 'Working Through the Question of the Phallus to the Other Side: Commentary no B.L.E 's Paper.' Psychoanalytic Dialogues, 7:3.
Brian Massumi, 'Introduction.' In: Brian Massumi (ed.) Deleuze, Guattari and the Philosophy of Expression, Canadian Review of Comparative Literature 24/3.
Yehudith Matzkel & Hadara Scheflan, in catalogue: Oh Mama. The Museum of Israeli Art, Ramat Gan.
Griselda Pollock, 'Painting as Backward Look that Doesn't Kill.' Hella Robay Memorial Lecture, Guggenheim Museum, New-York, 21/6.
Also as: 'La peinture comme un coup d'oeil en arrière qui ne tue pas.' Verso no. 8.
——— 'Abandoned at the Mouth of Hell.' In: Doctor and Patient, op. cit.
Adrian Rifkin, 'Face à l'Histoire. Centre G. Pompidou.' Artforum, April, p. 86.
Viktor P. Samokhvalov, 'The Palimpsest in the Scriptorium.' In: Doctor and Patient, op. cit.
Marketta Seppala, 'Memory and Amnesia.' In: Doctor and Patient, op. cit.
Philipe Tanguay, Interview with BLE, SBS Radio-French Program, Perth, Australia, 14/2.
Olessia Tourkina & Viktor Mazin, 'Introduction to the Problematics.' In: Doctor and Patient, op. cit.
1996
Christine Buci-Glucksmann, 'Images of Absence in the Inner Space of Painting.' In: C. de Zegher (ed.), Inside the Visible, MIT Press, Boston, 1996.
——— 'L'oeil nomade et critique.' L'oeil cartographique de l'art, Galilée, Paris.
Marja-Terttu Kivirinta, 'Tqiteilijat lääkäreinä ja politaina.' Helsingin Sanomat, 20.9.96, Finland.
Riitta Kormano, 'Parantavaunohdus ja tervehdyttävä muisti.' Curun Sanomat, 29.9.96, Finland.
Erkki Linnala, 'Eskapismia murroksen edessä.' Satakunsan Kansa, 29.9.96, Finland.
Griselda Pollock, 'Rencontre avec l'histoire : stratégies de dissonance dans les années quatre-vignt et quatre-vignt-dix.' In catalogue: Face à l'Histoire, Centre G. Pompidou, Paris, pp. 535-540.
——— 'Inscriptions in the Feminine', & 'Introduction' to 'The With-In-Visible Screen.' In: Inside the Visible, op. cit.
——— 'Gleaning in History.' in: G. Pollock (ed.), Generations and Geographies in the Visual Arts, London: Routledge, 1996.
——— 'Killing Men and Dying Women.' In: F. Orton & G. Pollock (eds.), Avant-Gardes and Partisans Reviewed, Manchester University.
——— 'Into Inside the Visible.' Make no. 71, 8-9, pp. 25-28.
Milovan Stanic, 'La recherche de l'authenticité.' Petit Journal, 12/96-4/97, Centre G. Pompidou, p. 21.
Catherine de Zegher, 'Introduction: Inside the Visible.' In: Inside the Visible, op. cit.
1995
Meir Agassi, 'Bracha Lichtenberg Ettinger, Matrix - Borderline, MoMA Oxford.' Studio no. 64, pp. 79-80.
Christine Buci-Glucksmann, 'L'espace intérieur de la peinture'/'Inner Space of Painting.' In: Halala - Autistwork.
——— 'Images of Absence.' In: Complexity - Philosophy & the Visual Arts no. 6, London: Academy Edition, 1995, pp. 50-55.
Extracts in: Art Présence no. 4, V-VI, Alpa, 1993.
Previously published as: 'Images d'absence.' Les Cahiers des Regards, Herblay, 1993.
In Russian in the catalogue Matrix (St. Petersbourg), 1993.
Stéphan Calvo, 'Bracha Lichtenberg Ettinger au Israel Museum.' L'arche no. 453, 7, Paris.
——— Interview, in: Artmania, Radio Shalom, 10/2, Paris.
Dan Daor, 'Bracha Lichtenberg Ettinger, Halala - Autist Work, Israel Museum, Jerusalem', Studio no. 64, p. 79.
Christian Gattinoni, 'Pour une hystérization des images.' Art et Thérapie no. 52/53, 3, pp. 27-30, Paris.
Myriam Izra-el, 'Painting the Lack.' Yerushalaim, 26/5, Jerusalem.
Ewa Lajer-Burcharth, 'Questions of Feminism: 25 Responses.' October no. 71, pp. 29-30, MIT.
Adrian Piper, 'Questions of Feminism.' October no. 71, pp. 35-36, MIT Press, Boston.
Griselda Pollock, 'After the Reapers'/'Derrière les moissonneurs.' In: Halala - Autistwork.
1994
Carolyn Ducker, 'Translating the Matrix.' Versus Occasional Paper no. 1 in: Versus no. 3, Leeds.
Tamar Garb, 'Bracha Lichtenberg Ettinger at the Museum of Modern Art.' Art in America, April, p. 134.
Rosi Huhn, 'Bracha Lichtenberg Ettinger. Aliénation et Exclusion.' Conference, École Nationale Supérieure des Beaux-Arts de Paris, 1990. In: Yves Michaux (ed.), Féminisme, Art et Histoire de l'Art, énsb-a, Paris.
Griselda Pollock, 'Introduction to the work of Bracha Lichtenberg Ettinger.' In: Third Text no. 28-29, London: Kala Press, pp. 61-70.
——— 'Oeuvres Autistes.' Versus no. 3, Leeds, pp. 14-18.
Kristian Romare, 'Inside the Visible.' Artefactum, 9/53, Belgium.
Rachel Suckman, in catalogue, Reminiscences and obsession, Artists' House, Jerusalem
1993
Christine Buci-Glucksmann, 'La question d'esthétique Aujourd'hui.' In: Kabinet, Sup. no. 4.
Presented at Psychanalyse - Art - Philosophie (P-A-P), conference on the occasion of solo exhibition: Matrix. The Russian Museum of Ethnographie, St. Petersburg, 3-5/6/93 . In: Kabinet, Supplement no. 4, 1994;
In: Halala - Autistwork, Israel Museum, 1995.
——— 'On the Secret.' In: Public and Private (catalogue), Edinburgh & Newcastle.
Anne Dagbert, 'Bracha Lichtenberg Ettinger', Interview. Art Press no. 176, Paris.
Pamela Ferris, 'Introduction.' In: Matrix - Borderlines (catalogue). Museum Of Modern Art, Oxford.
Henri-François Debailleux, 'Ettinger, Combinaisons Borderline.' Interview. Libération, 16/2.
Michael Hubl, 'Bracha Lichtenberg Ettinger.' Kunstforum, no. 121, pp. 446-7.
Rosi Huhn, 'Die Passage zum Anderen: Bracha Lichtenberg Ettinger's äesthetisches Konzept der Matrix und Metramorphose'/'The Passage to the Other: Bracha Lichtenberg Ettinger's Aesthetic Concept of Matrix and Metramorphosis.' In: Silvia Baumgart (Hrsg), Denkräum. Zwischen Kunst und Wissenschaft, Reimer, Berlin, 1993.
Presented at Kunsthistorikerinnen-Tagung/5th Annual Art History Congress, University of Hamburg 19/7/91.
——— 'Cas-limite et mythe de la création.' P-A-P. In: Kabinet, Sup. no. 4.
Presented at P-A-P, 1995.
——— 'Moving Omissions and Hollow Spots into the Field of Vision.' In: Matrix Borderlines, op. cit.
Griselda Pollock, 'Preface.' In: Matrix - Borderlines, op. cit.
——— 'ICA Talks' with BLE, ICA, London, 8/5 (audio cassette, ICA).
Astrid Schmetterling, 'Bracha Lichtenberg Ettinger.' Art Monthly, no. 168, 7, London.
Olessia Tourkina, in: Catalogue Matrix, The Russian Museum, St. Petersbourg.
1992
Catalogue: Paysage en exergue, dix années d'enri-chissement du FRAC-Centre, Espace Art Brenne.
Rosi Huhn, 'Stabat Mater Matrix.' Studio Art Magazine, no. 32, 4, pp. 16-17, Israel.
——— 'L'image de cas-limites, autoportraits.' Catalogue Borderline Conditions and Pathological Narcissism, Le Nouveau Musée/Institut d'Art Contemporain, Villeurbanne.
Extracts (Hebrew) in: Alpayim no. 7, Am-Oved, Israel, 1993.
——— 'Das Problem der Entsorgung in Kunst und Kulture als Passage zum Positiven Barbarentum/Le Problème du traitement des résidus dans l'art et dans la culture, en tant que passage vers une "Barbarie Positive".' Passages [d']après]/Passagen Nach Walter Benjamin, Verlag Herman Schmidt, Mainz.
Griselda Pollock, 'Trouble in the Archive: Introduction.' Differences Vol.4, no. 3, Indiana University Press.
1991
Catalogue in post-cards: Israeli Art Now - an Extensive Presentation, Tel Aviv Museum of Art.
Catalogue: Médecins sans frontière, Musée d'Art Contemporain, Dunkerque.
Anne Dagbert, 7 à La Une T.F.1, 2/2/91.
On the exhibition Découvertes, Grand Palais.
Philippe Dagen, 'Arts/Culture.' Le Monde, 3/3, p.10
Martine Dassault, 'Expositions.' Art Press, no. 160, 7-8, p. 98.
René Denizot, 'L'oeuvre échappe toujours', Interview. In: Métramorphose, (catalogue) C.R.A.P., St. Raphaël.
Rosi Huhn, 'Bracha Lichtenberg Ettinger und der Wahnsinn der Vernunft.' Revolution-Revolt-Resistance, Hochschule für Kunst, Bremen.
Muriel Lebert, 'La visibilité et ses marges.' In: Métramorphose, op. cit.
Jean-Jacques Moscovitz, in: Chapitre 7, D'où viennent les parents, Armand Collin, Paris.
——— 'Un lieu autre sans sa mêmeté.' In: Métramorphose, op. cit.
Sarit Shapira, in Routes of Wandering, (catalogue) The Israel Museum, pp. 33, 137-139, 202-208, 155-156.
1990
Gérard Barrière, 'La cérémonie de la perte du centre.' New Art International, 2-3.
Eldad Beck, Interview, Hadashot, 5, Israel.
Catalogue: Feminine Presence, Tel-Aviv Museum of Art/Musée d'Art de Tel Aviv.
Henri-François Debailleux, 'Bracha Ettinger à Paris.' Libération, 1/2, p. 50.
Esti Dotan, 'Is there Women's Art in Israel?/'Y'a-t-il un art de femmes en Israël?.' Hadoar, Summer, Israel.
Catherine Francblin, 'Bracha Lichtenberg Ettinger au Goethe Institut.' Art Press, no. 145, 3, p. 54.
Tamar Golan, 'Psychoanalysis in Art', Ma'ariv, 5/3, p. 3, Israel.
Rosi Huhn, in: Hans-Peter Schwerfel (ed.), Kunst in Paris, Kiepenheuer und Witsch, Köln, 1990.
——— Bracha Lichtenberg Ettinger et la folie de la raison/Wahnsinn der Vernunft, Goethe Institut, Paris.
Christé Jhelil, 'Ec'art.' Créations, no. 48.
Dorit Kedar, 'Philosophizing/Faire la Philosophie.' Al-Hamishmar, 6/7, Israel.
Itamar Levi, 'I have Difficulties to Catch the Elusive Woman.' Ha'arets, 13/7, Israel
——— 'Be Beautiful and Shut Up.' Ha'arets, 21/12, Israel.
Rina Litwin, 'Pretention without Basis.' Ha'arets, 7/9, Israel.
Aïm Luski, 'Not Yet the Revolution/Pas encore la révolution.' Yédiot Ahrenot, Art & Litterature, 7, Israel.
Anna Mohal, 'Préface', in: Bracha Lichtenberg Ettinger et la folie de la raison.
Jean-Louis Poitevin, 'Silencieux nature et bruissements d'hommes.' Kanal, 2.
Tali Tamir, 'Following the Androgenous Spirit.' Ha'arets, 13/7, Israel.
1989
Catalogue: 1e Biennale Internationale Jeune Peinture, Cannes & Museum of Gérone, Spain.
Michaël Delmar, 'Mon café avec.' In: Jardin des Modes, 9.
Catherine Weinzaepflen, L'ampleur du monde, Flammarion, Paris.
1988
Léon Abramowich, 'Le symposium des Lauriers Wiso' & 'Les deux philosophes de l'art.' In: Revue de la Wiso, no. 225, 11/87-1/88.
Nicolas Bourriaud, 'Cours de géographie pour oiseaux migrateurs.' In: Bracha Ettinger, (catalogue) Musée des beaux- arts, Calais.
Pierre Brisset, 'Musée/Bracha Ettinger.' In: L'oeil, no. 390-391, p. 98
Philippe Dagen, 'Noir et Blanc.' In: Le Monde, 3/4/88, p. 8.
Nathalie Darzac, 'Parti-pr198is: d'une métamorphose à l'autre.' In: Passages, no. 4, p. 49.
Henri-François Debailleux, 'Les voyages des formes.' In: Décoration Internationale, no. 103, p.19.
Hervé Gauville, 'Ettinger, Recto verso.' In: Libération, 1/3, p. 39.
Rosi Huhn, 'Bracha Ettinger.' In: Art Press no. 124, p.78.
——— 'Défense d'afficher.' In: Die Bilder-Die Wand-Das Projekt, ed. OFAJ/Ecole Nationale Supérieure des Arts Décoratifs, Paris & Hochschule für Kunst und Musik, Bremen.
——— 'Spuren der Erinnerung als Struktur von Gewalt.' In: Kunstforum, no. 95, 6-7, pp. 222-6.
Alain Leduc, 'Bracha Ettinger/Musée de Calais.' In: Artension, no. 2, p. 63.
——— 'Les problèmes du réalisme en France, de la Libération à nos jours.' In: Ligea, no. 1, 4-6, Dossier Art, p. 55.
Murièle Lejeune, 'Bracha Lichtenberg Ettinger.' In: Demeures et Châteaux, no. 43, p. 59.
Patrick Le Nouëne, 'Metaphorikos.' In: Bracha Ettinger, op. cit.
Friedemann Malsch, 'Bracha Lichtenberg Ettinger: Family Album et Omega.' In: Kanal, no. 35-36, p. 52.
Extracts reprinted in: G. Xuriguera (ed.), Le Dessin, Mayer, p. 108.
H.P., 'Bracha Ettinger: une exposition déroutante.' In: Nord Littoral, 26/I.
Marcelin Pleynet, 'Encore en Corps.' In: Bracha Ettinger, op. cit.
F. Rolet, 'Les signes avant-coureurs de Bracha Ettinger.' In: La Voix du Nord, 31/3.
Catherine Strasser, 'Album de famille - Moyens de transports, un parcours.' In: Bracha Ettinger, op. cit.
Catherine Weinzaepflen, 'Code.' In: Bracha Ettinger, op. cit.
Gérard Xuriguera, in Le Dessin, pp. 27, 108, Mayer, Paris.
1987
Emmanuel Bar-Kadma, 'Passed-by for an Exhibition.' In: Yédiot Ahronot, 16/1, Israel.
Catalogue: Échange culturel franco-danois, Kvinde Museum, Aarhus.
Catalogue: Salon d'octobre, Exposition d'Art Contemporain, Brive.
Catalogue: XXXI e Salon de Montrouge.
Catalogue: Centre Georges Pompidou, reprint of Aires 3.
Pierre Chareyre, Interview, Radio Canal 9, 29/9.
Sonia Criton, 'Das Werk Bracha Ettingers Metamorphose der Gedankenwelt.' In: Kôln Kunst Magazine, no. 2, 6, pp. 62-63.
Dorit Kedar, 'Bracha Ettinger in Sara Levi's Gallery.' In: Al-Ha'mishmar, 11/2, Israel.
Hezi Leskely, 'Oméga.' In: Ha'yir 2, 16/1, Israel.
Jean-Louis Poitevin, in Kanal, no. 27-28, p. 90-91.
Talia Rapaport, 'Alienated Drama.' In: Davar, 6/2.
Brigitte Rieux-Gillet, 'Pour Bracha.' In Artist's Book, Centre Georges Pompidou.
1986
Catalogue: International Contemporary Art Fair (ICAF), Jerry Salant Gallery, Los Angeles.
Jean-Luc Chalumeau, L'art au présent, 10/18 Christian Bourgois, Paris.
——— 10 jeunes pour demain (catalogue). Maison de la Culture, Amiens.
——— 'Exposition', Cahiers Bernard Lazar, no. 114, pp. 101-102.
Philippe Dagen, 'Carte Blanche à Marcelin Pleynet.' Art Press, no. 105, pp. 78, 80.
Hezi Leskely, 'New-York - Paris - New-York.' In: Ha'ir, 29/8, Israel.
Alexis Nouss, 'L'envers du signe.' l'Arche, no. 349, p. 92-93.
Marcelin Pleynet, 'Encore en corps.' Exhibition document: Carte Blanche à Marcelin Pleynet.
Catherine Weinzaepflen, 'Les mots du silence.' Aires 3, St.-Etienne, pp. 43-4, 47-8.
Reprinted 1987, Centre Georges Pompidou.
1985
P. Bloch & L. Presenti, in l'Art vivant, Summer, p. 8.
Catalogue: XXXe Salon de Montrouge.
Catalogue: Les Piliers de la Coupole, (ed. Charles Cartwright), Paris.
Jean-Luc Chalumeau, Matière et Mémoire, (catalogue) Galerie Isy Brachot.
——— 'Matiérisme.' Opus, no. 97, pp. 15, 18.
Anne Dagbert, 'Expositions.' Art Press no. 95, p. 70.
Dominique Guillerm, Interview, Radio Nova, 6/VI.
Memento: Journées Jeunes Créateurs, Centre National Art Plastique & Autrement, Paris.
Jean-Louis Poitevin, 'Matière et Mémoire.' Kanal, no. 12-13, p. 50.
Brigitte Rieux-Gillet, 'L'espace du temps. Les signes de la peinture.' Journées Jeunes Créateurs, Paris.
1984
Egidio Alvaro, 'Les traces du territoire absent.' In Bracha Ettinger, Diagonale Espace critique, (catalogue) Paris.
Ron Bornstein, 'Music and painting/Musique et peinture.' Al-Hamishmar, 31/1.
Catalogue: XXIXème Salon de Montrouge.
Catalogue: Prix de peinture Jeanne Gatineau, Galerie Mansart, Bibliothèque Nationale, Paris.
Dan Giladi, 'Bracha Ettinger - Israeli in Paris/Isra- elienne à Paris.' Hadashot, 28/9, p. 23.
Brigitte Hedel Samson, in 16e festival international de la peinture, (catalogue) Château-Musée, Cagnes sur Mer.
Catherine Weinzaepflen, 'Quand on met le pied sur une étoile.' In: Bracha Ettinger, Diagonale Espace critique, op. cit.
——— 'Bracha Ettinger: Une peinture de l'intérieur.' Art Press, no. 82, p. 20.
1983
Catalogue: Rencontre Jeunes Artistes Art Contemporain, Castres.
Catalogue: Alternativa III, Lisbonne.
Document: Zig-Zag dans la savane, Paris.
P.H.G.,'Terrakotta Ziegenbock rennt Türen der Philharmonie ein.' Berliner Morgenpost, 11/12, p. 25.
Corinne Scemama & Egidio Alvaro, 'Paris, l'art déménage.' Les Nouvelles Littéraires, no. 2874, 2, p. 43.
Catherine Weinzaepflen, 'Malerei des Inneren.' In cat. Neu Kunst in der Philarmonie, Berlin.
Unpublished Conference Papers
Critical Forum, Leeds Metropolitan Univ. Gallery, 21/3, in a printed document.
Wendy Leeks, 'On the Exhibition: Matrix - Borderlines, Signs and Emblems.'
Griselda Pollock, Gallery Talk, 14/3, Leeds Metropolitan University Gallery.
Efrat Tseelon, 'On the Exhibition: Matrix - Borderlines, Signes and Emblems.'
Pamela Ferris, 'Visual and Verbal.' Subversions/Objects - Association of Art Historians Annual Conference, University of Leeds, 10-12/4/92.
Rosi Huhn, 'L'Oeil armé et hallucinations visuelles. Deux concepts sur l'oeuvre de Bracha Lichtenberg Ettinger' [Bewaffrete Auges und Visuelle Halluzinationen]. Conference: Volkshochschule Wuppertal & Kunstverein Ruhr, Essen, 14/10/92.
Rosi Huhn, 'Bracha Lichtenberg Ettinger', conference: Art und Resistance. School of Fine Arts, Bremen, 1990.