Bracha Lichtenberg Ettinger
A bibliography of primary texts
2007; 2006; 2005; 2004; 2003; 2002; 2001; 2000; 1999; 1998; 1997; 1996; 1995; 1994; 1993; 1992; 1991; 1990; 1989; 1988; 1987; 1986; 1985; 1984; 1983; Unpublished Conference Papers
[Please note: this bibliography is largely chronological, except for those texts which have been published in more than one year. These are listed under their most recent date of publication, but previous details are also indicated.]
In Preparation
Propos sans discours. Emmanuel Levinas in conversation with Bracha Ettinger.
Dialogues (1991-1993), photographs and drawings.
L'écoute du désert est mémoire. Edmond Jabès in conversation with Bracha Ettinger.
Dialogues (1990), photographs and drawings.
2007
'Diotima and the Matrixial Transference: Psychoanalytical Encounter-Event as Pregnancy in Beauty'. In: Chris N. van der Merwe and Hein Viljoen (eds), Beyond the Threshold: Explorations of Liminality in Literature. New York: Peter Lang, pp. 105-32.
2006
'Art and Healing Matrixial Transference Between the Aesthetical and the Ethical'. In catalogue: ARS 06 Biennale. Helsinki: Kiasma Museum of Contemporary Art, pp. 68-75; 76-81.
For more information please visit: typo.kiasma.fi/index.php?id=495&L=1&FL=0
'Com-passionate Co-response-ability, Initiation in Jointness, and the link x of Matrixial Virtuality'. In Sofie Van Loo (ed.), Gorge(l). Oppression and Relief in Art. Antwerp: Royal Museum of Fine Art, pp. 11-32.
'Conversation September 2004: Craigie Horsfield and Bracha L. Ettinger'. In Catherine de Zegher (ed.), Craigie Horsfield: Relation. Paris: Jeu de Paume.
'Fascinance and the Girl-to-m/Other Matrixial Feminine Difference'. In: Griselda Pollock (ed.), Psychoanalysis and the Image. Oxford: Blackwell.
'From Proto-ethical Compassion to Responsibility: Besidedness, and the three Primal Mother-Phantasies of Not-enoughness, Devouring and Abandonment'. Athena: Philosophical Studies, No. 2, pp. 100-35.
'Gaze-and-touching the Not Enough Mother'. In: Catherine de Zegher (ed.), Eva Hesse Drawing. New York/New Haven: The Drawing Center/Yale University Press.
The Matrixial Borderspace. Minneapolis: University of Minnesota Press.
See www.upress.umn.edu/Books/E/ettinger_matrixial.html
'Matrixial Trans-subjectivity'. Theory Culture & Society, (TCS), Vol. 23 (2-3), pp. 218-22
See: tcs.sagepub.com/content/vol23/issue2-3/
2005
'The Art-and-Healing Oeuvre.' In: Catherine de Zegher and Hendel Teicher (eds.) 3x Abstraction: New Methods of Drawing by Hilma af Klint, Emma Kunz and Agnes Martin, New Haven: Yale.
'Art, Memory, Resistance,' a conversation between Bracha L. Ettinger and Akseli Virtanen. In: Framework: The Finnish Art Review, Vol. 4.
Also in: Ephemera, Vol. 5(x), at: www.ephemeraweb.org/journal/5-X/5-Xettinger-virtanen.pdf [PDF]
'Copoiesis'. In: Ephemera, Vol. 5(x), at: www.ephemeraweb.org/journal/5-X/5-Xettinger.pdf [PDF]
'Matrixial Co-poiesis: Trans-subjective Connecting Strings'. Poiesis, Vol. 7.
'On the Fascinum — The Freezing and Killing Gaze. And on the Fascinance — The Gaze as Continual Encounter that Evokes a Creative Event' (Hebrew). In: Bezalel 2005, at: bezalel.secured.co.il/zope/home/he/1126095346/1127749237
'Trenzado y escena primitiva del ser-de-a-tres'. In: Jacques-Alain Miller (ed.), Los usos del lapso, Los cursos psicoanaliticos de Jacques-Alain Miller. Buenos Aires: Paidos, pp. 466-81.
2004
'A Coil Withdraws Inside a Coil. Or: Traces of Trauma of the Other Inside the Autistic Kernel.' In: Poiesis, Vol. 6, pp. 62-67.
'Weaving a Woman Artist With-in the Matrixial Encounter-Event.' In: Theory, Culture & Society, (TCS) Vol. 21 (1), pp. 69-94.
See: tcs.sagepub.com/content/vol21/issue1/
2003
'A Fragilizing Active Trace.' In: Aletheia. Goteborg: The Art Museum.
Herbièr Volume. Brax: Cahier de l'atelier.
Artist Book: 12 images by Bracha Lichtenberg Ettinger and poetry by Pierre Bruno.
2002
'From transference to the aesthetic paradigm: a conversation with Félix Guattari'. In: Brian Massumi (ed.), A Shock to Thought: Expression after Deleuze and Guattari. London & New York: Routledge.
Previously published in: New Kabinet no. 1, 1998 (Russian).
Also as: 'From Transference to the Aesthetic Paradigm/Du Transfert au paradigme esthéthique'. In: Massumi (ed.), Deleuze, Guattari and the Philosophy of Expression, special issue of the Canadian Review of Comparative Literature, Vol. 24, no.3, 1997.
'Transference, or what is left of it'. Or: 'Analysts live in perpetual fear'. Félix Guattari in conversation with BLE. In: Doctor and Patient, Pori Art Museum, 1997.
Limited. ed. (10) (Hebrew/French), under the title: Le transfert, ou ce qu'il en reste, BLE Atelier, Paris, 1994
Les analystes vivent dans la crainte perpétuelle, Félix Guattari in conversation with B.L.E. (1989) Limited. ed. (7) (Hebrew), numbered, stamped and signed, 1990.
'Plaiting and the primal scene of being-in-Severality'. In: The Almanac of Psychoanalysis, no. 3, GIEP, Tel Aviv.
Presented as 'Tressage et scène primitive de l'être-à-trois' to the course of J. A. Miller, University of Paris VIII, 7/6/2000.
'Transcryptum'. In: Peter Ramadanovic & Linda Belau (eds.), Trauma and Forgetting: Essays on the Limit of Knowledge and Memory. NY: The Other Press.
Previously published as: 'Transcryptum: Memory Tracing in/for/with the Other'/'Transcryptum: Produire les traces mnésiques dans/pour/avec l'Autre', In: La Ville, le Jardin, la Mémoire. Rome: Villa Medici, 1999.
'Trans-subjective transferential borderspace'. In: Brian Massumi (ed.), A Shock to Thought: Expression after Deleuze and Guattari. London & New York: Routledge.
Previously published in: Massumi (ed.), Deleuze, Guattari and the Philosophy of Expression, special issue of the Canadian Review of Comparative Literature, Vol. 24, no. 3, 1997.
Marketta Seppala (ed.), Doctor and Patient, Pori Art Museum Publications, Ylojarvi, 1997.
'Weaving a Trans-Subjective Tress or the Matrixial sinthome'. In: Luke Thurston (ed.),Re-inventing the Symptom: Essays on the final Lacan. New York: The Other Press.
'The Weaving of Eros and Death Drive,' and 'The Woman-Other Stamped in the Body,' (in Hebrew). In: Itzhak Benyamini & Idan Zivoni (eds.), Eved, Hitangout, Adon [Slave, Jouissance, Master]. Tel Aviv, Resling.
2001
'Alguna-Cosa, Algun-Suceso y Algun-Encuentro entre el Synthome y el Sintoma'. In La Collecion Prinzhorn: Trazos sobre et bloc magico. Museo d'Art Contemporani de Barcelona (MACBA), 2001.
'Interventions'. In: Amy Scholder and Jordan Crandall (eds.), Interaction: Artistic Practice in the Network. Co-published by Eyebeam and Distributed Art Publishers.
Levinas and the Police, Chax Press.
Artist Book: An image by BLE and a poem by Benjamin Hollander. See Chax Press
'Matrixial Gaze and Screen: Other than Phallic and the Late Lacan'. In: Laura Doyle (ed.) Political Phenomenologies of Agency and Culture. Evanston, Illinois: Northwestern University Press.
Previously published in: PS (Journal of the Universities Association for Psychoanalytic Studies) Vol. 2, no. 1, 1999.
Short version presented at the symposium, Event - Trace - Painting/Événement - Traces - Peinture, Van Leer Institute, Jerusalem, 25/5/95 and printed in Studio, Tel Aviv, 1998.
'The Red Cow Effect'. In: Mica Howe & Sarah Appleton (eds.), He Said, She Says. London: Farleigh Dickinson.
Previously published in: Beautiful Translation - Act 2, Juliet Steyn (ed.), London: Pluto Press, 1996.
Presented at the following conferences:
Beautiful Translation, Tate Gallery, London, 1/5/96.
Feminism & the Aesthetics of Difference, Inst. of Romance Studies, Univ. of London, 8/9/95.
Modernism, Difference & Place, Falmouth College of Arts & Tate Gallery, St. Ives, 9/9/95.
'Wit(h)nessing Trauma and the matrixial gaze: from phantasm to trauma, from phallic structure to matrixial sphere'. In: parallax, vol. 7, no. 4.
'Working-Through'. A conversation between Bracha Lichtenberg Ettinger and Craigie Horsfield. In: Bracha Lichtenberg Ettinger: The Euryduce Series. The Drawing Papers, no. 24. New York: The Drawing Center.
2000
'Art as the Transport-Station of Trauma'. In: Bracha Lichtenberg Ettinger: Artworking 1985-1999, Ghent-Amsterdam: Ludion & Brussels: Palais des Beaux-Arts. ISBN 90-5544-283-6
Previously published in: Plastika, (Hebrew) Tel Aviv: Camera Obscura, 1999.
'Feminine Borderlinking'. In: The Almanac of Psychoanalysis no. 2, GIEP, Tel Aviv.
(First printed in Hebrew in 1995 by BLE Atelier.)
'Matrix. Halal(a) - Lapsus, Notes on Painting 1985-1992,' Fragments reprinted in: Bracha Lichtenberg Ettinger: Artworking 1985-1999, Ghent-Amsterdam: Ludion & Brussels: Palais des Beaux-Arts.
Previously published as: 'Halal(a) - Lapsus, Carnets 1989-1992' (French). In: Athanor no. 5, Euromedia, Paris.
Matrix Halal(a) - Lapsus, Notes on Painting, 1985-1992, Oxford: MOMA, 1993.
'L'invisible intérieur' (extracts from Carnets 1985-1989). Athanor, no. 4, Euromedia, Paris.
'Matrix - Carnets 1985-1989 (fragments)', (French). In: Chimères, no. 16 (eds.) G. Deleuze & F. Guattari, VI, Paris.
'Private language'. (Hebrew; extracts), Studio Art Magazine, no. 32, IV, p.18, Israel.
Extracts (Russian), in catalogue: Matrix, St. Petersbourg, 1993.
'La Rencontre-événement matrixielle'. In Les féminins, Barca! no. 14, Paris.
'Some-Thing, some-Event and some-Encounter: between Sinthome and Symptom'. In: The Prinzhorn Collection: Traces Upon the Wunderblock. The Drawing Papers, no. 7. New York: The Drawing Center.
'Transgressing with-in-to the feminine'. Reprinted in: Penny Florence & Nicola Foster (eds.), Differential Aesthetics, London: Ashgate.
Also in: P. Florence & N. Foster (eds.) Special Issue on Aesthetics, Women's Philosophy Review, no.25, 2000.
Van Damme C. & Vandepitte, F. (eds.), Leonardo's Glimlach (Leonardo's Smile). Academia Press, Ghent, 1999.
Presented at Ghent University, Symposium 15-17 Dececember 1997.
1999
Régard et éspace-de-bord matrixiels, Bruxelles: La Lettre Volée.
'Re-in/de-fuse', In: Other Voices, Vol. 1, no.3, Internet E-journal at: http://www.othervoices.org/1.3/brachale/
This is a multimedia project which sets passages from Lichtenberg Ettinger's essay of the same title between images from her artistic production. The essay was delivered at the 84th Annual Conference of the College Art Association (Boston, 21/2/96) in a panel entitled 'Inside the Visible'.
'Trauma and Beauty'. In: Kjell R. Soleim, (Ed.) Fatal Women, Center for Women's and Gender Research, Vol. 11, University of Bergen, 1999.
Also in: N. paradoxa no. 3, 1999 .
Previously published in: Resling no.5, 1998 (Hebrew).
Barca! no. 11, Paris, 1998 (French).
'Traumatic Wit(h)ness-Thing and Matrixial Co/in-habit(u)ating'. In: parallax, Vol.5, no. 1.
1998
'Beauty and Wound. Trans-subjectivity in Art/Beauté et blessure. Trans-subjectivité en art'. Limited English/French edition, BLE Atelier, Paris.
Presented at (conference) Art et Clinique, MAC, Galeries contemporaines des Musées de Marseille, 15/3/1998.
Architectural Association, London, 21.5.98.
Short version entitled 'Beauty and Trauma'. At: http://www.thing.net/eyebeam/msg00403.html.
'Matrixial Gaze and Screen', Studio (Art Journal) no. 99, Tel Aviv (in Hebrew).
Presented at the Van Leer Institute, Symposium 1995.
'Supplementary Jouissance'. In: The Almanac of Psychoanalysis no. 1, GIEP, Tel Aviv, 1998.
First printed in Hebrew in 1995 by BLE Atelier.
'Wit(h)nessing Trauma and the Gaze'. In: Vandenbroeck, P. and Vanderlinden, B.(eds./curators), catalogue The Fascinating Face of Flanders: Through Art and Society. Stad Antwerpen. (English, Portuguese, Flemish).
Given as a lecture at Leeds University, 30.5.98.
'Working Notes Towards Transcryptum'. In: 3T - Tidsskrift for Teori og Teater no. 9, Bergen.
1997
'The Feminine/Prenatal Weaving in the Matrixial Subjectivity-as-Encounter'. In: Psychoanalytic Dialogues, VII:3, The Analytic Press, New York.
'The "Heimliche": Home-affect and co/in- habit(u)ation'. In: J. Crandall & K. Easterling (eds.), Suspension, Documenta X, Kassel & Schellmann, Munich.
Also published as 'Le "heimliche": Affect "chez-soi" et co-habit(u)ation matrixielle'. Trans. Joris Lacost, in Verso no. 8, Paris.
"Que dirait Eurydice?"/"What would Eurydice say?". With Emmanuel Levinas (1991-93), Reprint of Le féminin est cette différence inouïe (livre d'artiste, 1994). Trans. C. Ducker and J. Simas.
Reprinted to coincide with the Kabinet exhibition, Stedelijk Museum, Amsterdam, Paris: BLE Atelier.
Also in: Barca! 8, Paris, 1997.
Previously published as: Le féminin est cette différence inouïe. Limited edition artist's book: Hebrew (3 ed.), French/Hebrew (6 ed.), with photographs of Levinas signed by EL and BLE, 1994.
'Reply to Commentary'. In: Psychoanalytic Dialogues, VII:3, The Analytic Press, New York.
1996
'Metramorphic Borderlinks and Matrixial Borderspace'. In: John Welchman (ed.), Rethinking Borders, London: University of Minnesota.
'Prebirth Incest and Feminine Rapport'. In: Les pouvoirs de la parole/IXe rencontre du Champs freudien, Buenos Aires, 18-21/8/96.
'The With-in-Visible Screen'. In: C. de Zegher (ed.), Inside the Visible, MIT Press, Boston.
1995
'Criticism is Rumour'. Studio no. 66, XI, Israel.
The Matrixial Gaze, Feminist Arts and Histories Network, Dept. of Fine Art, University of Leeds.
Previously published by BLE Atelier, Paris, 1994.
'Woman as Objet a Between Phantasy and Art'. In: Complexity, Journal of Philosophy and the Visual Arts no. 6, (ed. A. Benjamin), London: Academy Editions, pp. 56-77.
Supplementary Jouissance and Feminine Sexual Rapport, limited. ed., BLE Atelier (Hebrew).
1994
'The almost-missed encounters as eroticized aerials of the Psyche'. In: Third Text no. 28-29, London: Kala Press.
'The Becoming Threshold of Matrixial Borderlines'. In: Robertson et al. (eds.) Travellers' Tales: Narratives of Home and Displacement, London: Routledge, pp. 38-62.
Presented at (conference) Travellers' Tales, Tate Gallery, London, 20-21/6/1992.
1993
'L'inquiétante étrangeté et l'objet a Matrixiel du Regard' ('The "Uncanny" and the Matrixial object/objet a of the Gaze'). Psychoanalysis - Art - Philosophy, conference on the occasion of the exhibition/colloque à l'occasion de l'exposition: Matrix. The Russian Museum of Ethnography, St. Petersbourg, 3-5/6.
Also in: Kabinet.
Matrix: A Shift Beyond the Phallus. Limited edition, (10), on the occasion of 13e Art, numbered, stamped & signed, BLE Atelier, Paris. Available at: Bibliotheque Nationale, Paris; Tate Gallery, London; Israel Museum, Jerusalem.
'Introduction', reprinted in: Women's Art Magazine no. 56, London, 1994.
Revised version of 'Matrix: a Shift In-Side the Symbolic'. Given at international conference The point of theory, Belle van Zuylen Institut for Multicultural and Comparative Gender Studies. The Univ. of Amsterdam & Institute of Contemporary Art (ICA) Amsterdam, 10-13/1.
Matrix - Cas limite. Limited edition, Paris: BLE Atelier.
'On the Matrix, on Feminine Sexuality and One or Two Things I wanted to say about Dora'. In: Sihot-Dialogue, Israeli Journal of Clinical Psychology and Psychotherapy, Vol. VII, no. 3, pp.175-83.
'Poétique du nomadisme', Edmond Jabès en conversation avec B.L.E., (1990). Athanor no. 4, Euromedia, Paris.
Texts & Photos, in: Alpayim no. 7, Am-Oved, Tel Aviv, pp. 82-92.
A Threshold Where We are Afraid. With Edmond Jabès (1990). Trans. A. Hamad and S. Lerner, limited edition (250), with 6 photos. of Edmond Jabès by BLE, MoMA, Oxford, 1993.
Also in Russian, in catalogue: Matrix, St. Petersbourg.
Also published as: 'Un seuil où l'on a peur', Edmond Jabès in conversation with B.L.E. (1990). Les Cahiers des Regards, Herblay, 1993 (French & English).
Time is the Breath of the Spirit. With Emmanuel Levinas (1991-93). Trans. J. Simas & C. Ducker, limited edition (250), with 8 photos of Emmanuel Levinas by B.L.E., MOMA, Oxford.
Also published in: (in Hebrew) Iyyun - The Jerusalem Philosophical Quarterly, 10/94, Israel.
(in Russian) Kabinet, Prilozehnie (supplementary) no. 3 : E. Levinas, SPb., 94, Russia.
Reprinted in: Kabinet - An Anthology, Stedelijk Museum, Amsterdam, 1997
'Un monde sans moi' ('Le temps est le souffle de l'esprit'). In: Athanor no. 5, Euromedia, Paris, 1994.
Longer version published as Le féminin est cette différence inouïe (1994) and 'Que dirait Eurydice?'
'Woman-Other-Thing: a Matrixial Touch'. Catalogue Matrix - Borderlines, MoMA, Oxford.
1992
'The Heritage of Memory and Double Identity/L'héritage de la mémoire et double identité'. Christian Boltanski in conversation with B.L.E., Studio Art Magazine, no. 29, I, Israel, pp.11-13.
'Matrix and Metramorphosis'. In: G. Pollock (ed.) Trouble in the Archives, special issue of Differences, Vol. 4, no. 3, Bloomington: Indiana University Press, pp. 176-208.
Also in: Baumgart, S. (Hrsg.), Denkräume. Zwischen Kunst und Wissenschaft, Reimer, Berlin, 1993.
Presented at: 5th Annual Art History Congress, University of Hamburg, 5. 19/7/1991.
'Matrix - Cas limite'. Limited edition (7), numbered and signed, BLE Atelier, Paris, 1993.
Also in: V. Whirles (ed.), Identités. École des Beaux-Arts de Rouen, 1997.
Presented at: Conference Identités, École des Beaux-Arts de Rouen, 31/1/92.
Photographs of Robert Doisneau in: Passages d'après Walter Benjamin. Verlag Herman Schmidt, Mainz.
'In Praise of the Phallus and the Matrix'. Studio Art Magazine, no. 32 (Hebrew), p. 19.
1991
Matrix et le voyage à Jérusalem de C.B.(1989). Artists' book.
Limited ed. (18), with 60 photos. of Christian Boltanski by B.L.E., & conversation between BLE and CB
Extracts in: Chimères, no. 16 (eds.) G. Deleuze & F. Guattari, VI, Paris.
Métramorphose, limited edition catalogue (500), signed and dated, first 24 with an original drawing, Centre Régional Art Présent, Saint-Raphaël
'This is the Desert, Nothing Strikes Root Here', Edmond Jabès in conversation with B.L.E.. Catalogue Routes Of Wandering, The Israel Museum, Jerusalem.
'Verbal Hallucinations in Psychotic Patients'. (Ettinger et al.), Israel Journal of Psychiatry, vol 28, no. 2, International UP Inc., pp. 39-49.
1990
'Introduction to the Study of the Writings of J. Lacan, and to the Issue of "Who is an Analyst"/Introduction à l'oeuvre de J. Lacan'. In 5 parts. Sihot - Dialogue, Vol.IV, no. 2, pp. 136-138, March; Vol.IV, no. 3, pp. 212-216, June; Israel.
'Is the West Tormented with Regrets?/L'Occident se tourmente-t-il avec des regrets?', Kav-Art Magazine, no. 10, Israel.
'The Silence of the Desert is Memory/Le silence du désert est mémoire', Edmond Jabès in conversation with BLE. Studio Art Magazine no. 17, Israel.
'The Woman doesn't Exist and doesn't Signify anything/La femme no'existe pas et ne signifie rien'. Catalogue Feminine Presence, (Hebrew), pp. 30-45, Tel Aviv Musuem of Art.
'The woman is only, also, not yet, maybe/La femme est seulement, aussi, pas encore, peut-être. Culture & litterature, Ha'arets, 20/7, Israel.
1989
Interview with Christian Boltanski. In Boltanski, Lessons of Darkness, The Israel Museum, Jerusalem.
'Introduction to the Study of the Writings of J. Lacan, and to the Issue of 'Who is an Analyst'/Introduction à l'oeuvre de J. Lacan", Sihot, Vol.III, no. 2, pp. 85-93, March; Vol.III, no. 3, pp. 199-207, June; Vol.IV, no. 1, pp. 44-53, Nov.; Israel.
Translation (French/Hebrew) of: Jacques Lacan, 'Preface' to: 'Fonction et champs de la parole et du langage en Psychanalyse' (1953). Sihot, Vol.IV, no. 1, November, Israel.
Translation (French/Hebrew) of: Jacques Lacan, 3rd part of chapter XIX: 'Introduction du grand Autre' (from: Le Séminaire - Livre XI). Sihot, Vol.IV, no. 1, Novembre, Israel.
1988
Translation (Hebrew) of extracts from, J. Lacan, Écrits. Artist's Book (1), signed and dated.
1987
Image, Infolio 92. Collection of poems edited by Tom Rowart, 25/9, Cambridge.
'Nature-Mère-Salope' et 'Album de famille - Moyens de transport', (extract from Aires 3), reprinted as Artist's book/document to coincide with the exhibition: Bracha Ettinger. 50 copies signed & dated & 500 copies, Centre G. Pompidou, Paris.
1986
Translation (Hebrew) of: Marcelin Pleynet, Fragment du Choeur. Artist's Book (1) signed & dated
'Nature-Mère-Salope' et 'Album de famille - Moyens de transport'. Aires 3, Revue d'art et de littérature, pp. 34-42, 45-46, St-Étienne.
1985
Image, in: Désir d'Angeline Neveau. Centre G. Pompidou, III, p. 46.
1984
Image, in: Land 8, Revue d'Art et de Litterature, Paris.
1983
Text/Image, in: catalogue Alternativa III, Almada (Portugal).
Text/Image, in: catalogue Rencontre Jeunes Artistes Art Contemporain, Area, Castres.
Unpublished Conference Papers
'Perpetual Exile and Enigmatic Afterlife. Judith Butler's Search for livability.' Presented at: Writing Aesthetics, IAPL 27th Annual Conference, University of Leeds, 31/5/2003.
'The Matrixial Resonance Camera Obscura.' Conference: Psychoanalysis and Sound, Centre CATH, University of Leeds, February 2003.
'Metra-morphic Borderswerving, borderspacing and Borderlinking'. Rethinking Genius Today Conference, ICA, London, 19.6.99. (For Radical Philosophy)
'Matrixial borderspace'. Women's Worlds 99 Congress, Tromso, Norway, 22.6.99. (For Signs)
'Feminine trans-subjectivity'. Presented at: The Clinical Limits of Gender, EEP Conference, 22-23/3/97, London.
'Originary repressions of the Thing'. Conference: Symbolism of the Temple, Borderspace and Art, The Art Gallery of New South Wales, Sydney, 22 Feb. 97.
'Matrixial Space - Aside from the Phallus'. Conference: Identity and Display, Association of Art Historians 19th Annual Conference, Tate Gallery, London, 2-4/4/93.
'The object of the phantasy as a lost object, from Bion to Lacan'. Conference: Psychoanalysis & languages, Faculty of Medecine, Tel Aviv University, 30/12/93.
On Edmond Jabès. Conference, MoMA, Oxford, 7/5/93.
Unraveling the Threads. Conference, MoMA, Oxford, 9/5/93.
The Matrixial Gaze in the Process of Creation. Conference: Starting the Dialogue, Feminist Arts and Histories Network, Department of Fine Art, Univ. of Leeds, 11-12/9/93.